Breaking Down the Cathartic Ending of ‘Lucky’

Breaking Down the Cathartic Ending of ‘Lucky’

A proud father The recording ends with a gift and a form of severance. “I’m not giving you the money, but I’m giving you your freedom. I hope you use it wisely,” Lucky says. “I love you, Dad. But you won’t see me again. Goodbye.” John thumps the bear against the dashboard, pulls over, gets…

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As Students Return, America’s Classrooms Are Dangerously Hot

As Students Return, America’s Classrooms Are Dangerously Hot

A fan moves air around in a classroom at Corey Elementary in Denver, Colorado on October 8, 2024. —RJ Sangosti—The Denver Post As students go back to school in the midst of record-breaking summer heat, many are returning to overheating classrooms whose aging air conditioning systems can’t keep up with extreme heat waves—if they even…

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Inflection AI’s Second Act With CEO Sean White

Inflection AI’s Second Act With CEO Sean White

Sean White talks about Inflection AI’s post-Microsoft reset and his vision for A.I. to become more relational and prosocial. Courtesy Inflection AI In 2022, early in the first wave of generative A.I., DeepMind co-founder Mustafa Suleyman and LinkedIn co-founder turned venture capitalist Reid Hoffman launched Inflection AI, billing it as an attempt to build an…

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The True Story Behind ‘Freefall: A Reckoning for Boeing’

The True Story Behind ‘Freefall: A Reckoning for Boeing’

That was in 2022. This year, Freefall: A Reckoning for Boeing takes a wider look at Boeing’s continued reputation. “When we finished that film, Boeing ultimately had taken responsibility,” says Rory Kennedy, director of both documentaries. Speaking to TIME over Zoom, she says the company “assured the flying public, as well as the airlines and…

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At MCA Chicago, Kenzi Shiokava Gets His Long-Awaited Solo Debut

At MCA Chicago, Kenzi Shiokava Gets His Long-Awaited Solo Debut

Installation view: “Kenzi Shiokava,” June 27, 2026 – January 31, 2027, Museum of Contemporary Art Chicago. Photo: Lucas Gomez-Doyle for Observer Like a phalanx of choreographed Roman soldiers, Kenzi Shiokava’s totemic wooden sculptures stand guard at the entrance of the Museum of Contemporary Art Chicago’s Bergman Gallery. Alert to newcomers, Shiokava’s reworked found objects are…

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